Thursday, March 21, 2013

On Fictions


By James Zike
8 March 2013

A Treatise of Human Nature
or
Project Gutenburg ebook
As modern readers, we often bring with us a large amount of intellectual baggage that tends to cloud our judgments.  At times, it can be difficult to separate modern usage and meanings of words from historic works that use the terms in ways that we are not accustomed to any longer.  When David Hume uses the term “fiction”, it may be tempting to import our concept of fiction as fake, false, or untrue, into a work that does not support that usage. 
Hume demonstrated that certain common understandings about objects in the world are not correct and amount to nothing more than “fictional” accounts, but with his ontological statements, he did not intend to answer any metaphysical questions.  That is to say, that Hume’s use of the term “fiction” did not imply falsity or impossibility.  A careful understanding of how he organized his system of knowledge based on empirical means might place his fictions back into the realm of metaphysical possibilities in a way that preserves how he used them throughout his works.
I.                   Perceptions, Impressions and Ideas
According to Hume, the mind perceives two types of things, impressions/sensations and ideas, and all that we can be aware of are ultimately objects of mental perception.[1]  The two types of perceptions, Hume thinks, can be intuitively distinguished between “thinking and feeling”, and varying in “degrees of force and liveliness, which they strike upon the mind”.[2]  The implication of a mind being the “place” or space where perceptions are processed into consciousness sets up a picture similar to that of the Rationalists’ position except that the only “privilege” that could be said that Hume grants is that sensations are livelier than anything that follows from them.  This is the key difference between Hume’s view and the in-vogue Rationalism of the time, because many Rationalists thought that reason and intuition were in a privileged position over sensation.[3]
The reason for Hume’s special emphasis on impressions is that they are the “sensations, passions and emotions, as they make their first appearance in the soul”; the impression is the first contact that a mind has with anything—not just the outside world, but with itself as well.[4]  In Hume’s view, if there is to be knowledge gained about anything, the impressions must be the foundation of that knowledge.  Whenever philosophers attempt to show an idea is not innate, the attempt demonstrates that the senses perceive the object or the memory recalls a previous experience; all simple concepts are first present in the impressions, and then are copied into ideas that represent the impressions.[5]  Although Hume never referred to it this way, it is now known as the “Copy Principle”, and it is one of the core concepts of Hume’s system.[6]
By means of the Copy Principle, sensations and impressions become ideas in the mind, exactly as they are except slightly less vivid or forceful than impressions; the weakening does not change the content.  Under normal circumstances, Hume thinks that these ideas are easily distinguishable from impressions because ideas of objects are only “the faint images” of the impressions from which they were copied.[7]  He admits that at times where the mind is not in full possession of its faculties, like “in sleep, in a fever, in madness, or in any very violent emotions”, the two may become confused.[8]  He makes several distinctions as to categories of impressions and ideas according to their properties, but for this paper, it is only necessary that we examine the simple impression/idea, that being the object of a basic sensation, e.g. the color gold, or the shape of a mountain.  The link between the simple ideas copied from impressions give a sort of validity to the mental object, and that validity exceeds the rational and the intuitive, not because it is somehow better, but because it is the ultimate foundation of any notion that can be entertained.
II.                Abstract Ideas and Beliefs
On the face of that, it may seem true, but it is possible to examine mental objects that we have never experienced.  Although unlikely that anyone has ever seen a golden mountain, it is possible to think about such a mental object, but only by joining two ideas, gold and mountain, together to create a new, abstract idea that lacks the force of a direct impression of something actually seen; it is weaker than either the idea of gold or of mountain.[9]  Notwithstanding the amalgamation of these ideas, it is a metaphysical principle that it is possible that any conceivable object is potentially real, or more strictly speaking, not impossible.[10] 
While it is possible to ponder any abstract idea that might be formed that does not contain a logical contradiction, it is an entirely different thing to believe that that new pseudo-object actually exists.  On Hume’s understanding of the difference between impressions and idea being the force and vivacity of their presence in the mind, and that ideas recalled from the memory are likewise weakened, it seems odd that from ideas we could form beliefs.  The common understanding of belief is that of strength of conviction that a mere idea would not hold. 
Hume’s notion of belief is that a belief is an idea that “feels different from a fictitious idea, that the fancy alone presents to us”, that it contains a “superior force, or vivacity, or solidity, or steadiness” that “makes them appear of greater importance; infixes them in the mind; and renders them the governing principles of all our actions.”[11]  It is not that beliefs (in particular beliefs of matters of fact) are foundationless, far from it, but they are created by the idea, or group of ideas, which have a particular strength to them that they gained from their initial impression.[12]  It is worthy to note that Hume’s view of the relationship between beliefs and fictions echoes his previous distinction between impressions and ideas, specifically that one is “feeling” and the other is “thinking”. 
III.             Necessary Connection and Fiction
One such abstract idea that is commonly held as a belief is that of causation, the notion that for every effect, i.e. change in state of affairs, there is some cause.  It is an abstract idea because it is impossible to gain an impression of some property in all things believed to be causes that is universal to all of them, and so relations of contiguity and priority in time are the only ways to explain the nature of causality.[13]  However, that is not sufficient alone to establish that one object is the cause of an effect by those relationships only.  It is conceivable that two objects (here, I mean this in a general fashion of mental objects that can include, but do not require, physical objects) in close proximity (contiguity) and one preceding the other (prior in time) may not have any actual connection in reality.  Hume addresses this concern by introducing the notion of a necessary connection between the cause and the effect.[14]  The necessary connection is comparable (or perhaps synonymous) with a power, force or energy, and it is too ambiguous of an idea to directly survey.[15]
From our impressions of a single instance, we can only detect that two objects have changed in some way, and we conclude that one is the cause and the other is the effect, but we cannot see that power nor can we rationally predict the outcome of the apparent interaction before the event.[16]  “It appears, then, that this idea of a necessary connexion among events arises from a number of similar instances which occur in the constant conjunction of these events; nor can that idea ever be suggested by any one of these instances, surveyed in all possible lights and positions”.[17]  So, when we view a series of sufficiently similar events, where one object appears to be the cause of an effect, and the constant conjunction of this pattern appears to us each time, we gain an intuitive sense that there must be some kind of necessary connection between the two.  We feel that a connection between cause and effect must exist.
However, our belief in that connection is not from a direct observation of it, but from reflecting on the impressions we remember, and, furthermore, it is impossible for us to observe and thus impossible to copy from those observations, any notion of powers like the necessary connection.[18]  Nonetheless, it is not that we are incapable of holding the notion of it and as an abstract idea it does suggest that it is possible that it exists, but the question is are we justified in believing that it does?  Hume’s conclusion, which he carries forward into his greater project, is that it is impossible for us to justify this notion by empirical evidence or by reason.
All those objects, of which we call the one cause and the other effect, considered in themselves, are as distinct and separate from each other, as any two things in nature, nor can we ever, by the most accurate survey of them, infer the existence of the one from that of the other. It is only from experience and the observation of their constant union, that we are able to form this inference; and even after all, the inference is nothing but the effects of custom on the imagination. We must not here be content with saying, that the idea of cause and effect arises from objects constantly united; but must affirm, that it is the very same with the idea of those objects, and that the necessary connexion is not discovered by a conclusion of the understanding, but is merely a perception of the mind. Wherever, therefore, we observe the same union, and wherever the union operates in the same manner upon the belief and opinion, we have the idea of causes and necessity….[19]
Custom of the imagination hardly seems sufficient to establish the existence of a power. What can possibly allow careful philosophic thinking to entertain this concept?  Considering that natural science is for all intents, built upon causality and the notion is firmly part of the common understanding of the world, it would seem ridiculous to claim that no such concept existed in reality.  Hume even goes as far as saying this kind of reasoning from experience is so prevalent that as a child in the cradle he was able to use it to improve himself, but nonetheless a solid, rational argument for it remains elusive.[20]  Hume concludes that it is a belief formed from the constant conjunction of two objects, which make it necessary that we expect that one effect will follow the assumed cause, but that notion is not rational per se; it arises from the operation of the imagination, a fiction of the imagination.[21]
It is not that a person holding a fiction actually believes something false, but his concept of beliefs to fiction bears the relative strength of impressions to ideas.  Ideas can never have the same strength of impressions.  Beliefs feel stronger than ideas because experience has demonstrated reasons to hold them, or provided no reasons to doubt them.  With all our perceptions, even our strongest beliefs might still be false, but as long as they are not logically contradictory, they are metaphysically possible.  The near-belief of necessary connection and causality comes from the same ground, but remains in a state of doubt because we cannot gain any impression of powers. 
            When Hume calls a notion fiction, it is not that he is saying that it is a false belief, or that the concept cannot be true because anything conceivable is possible.  We can only separate these abstract notions from the set of things that are real via experience, and by experience, we can see that such a thing as causality is possible.  However, we cannot see the necessary connection that by reason we think should be there.  This fiction never has the empirical grounds for us to feel that it can be a rational belief.
            When Hume calls something a fiction, he means only that it does not feel like a belief.  Upon enquiring into why that is, it becomes clear that our imagination has filled in gaps in our impressions and in our reasoning. The works of the imagination still come from the simple impressions copied into ideas, abstracted as needed, enlivened by repeated impressions and dulled with time.  When we encounter concepts outside our experience, we may never be able to have a proper impression, like the taste of an unknown exotic fruit, but our imagination works in a way that allows us to identify shades of color that we have never observed.[22]  While the type of simple idea of an unseen hue is not enough to say that fictions as pivotal as cause and effect are justifiably believable, it does further support the conditional use of fictions. 
At times, the imagination is the only way that we can arrive at a functional conclusion, but we can never be rationally justified in a mere thought.  If we are to know the taste of pineapple, we have to taste it.  Until we can see powers, we will have to imagine them, and accept that we are likely wrong.




Bibliography



Hume, David. A Treatise of Human Understanding. Oxford: Oxford University Press, 2000.
—. An Enquiry Concerning Human Understanding. Oxford: Oxford University Press, 1999.
Lennon, Thomas M., and Shannon Dea. "Continental Rationalism." The Stanford Encyclopedia of Philosophy. Edited by Edward N. Zalta. Fall 2012. http://plato.stanford.edu/archives/fall2012/entries/continental-rationalism/ (accessed March 2, 2013).
Morris, William Edward. "David Hume." The Stanford Encylopedia of Philosophy. Edited by Edward N. Zalta. Spring 2013. http://plato.stanford.edu/archives/spr2013/entries/hume/ (accessed March 2, 2013).






[1] David Hume, A Treatise of Human Understanding, 1.1.1 (Oxford: Oxford University Press, 2000), Pg. 7.
[2] Hume, Treatise 1.1.1, Pg. 7.
[3] Thomas M. Lennon, and Shannon Dea, "Continental Rationalism", The Stanford Encyclopedia of Philosophy (Fall 2012 Edition), ed. Edward N. Zalta, http://plato.stanford.edu/archives/fall2012/entries/continental-rationalism/ (accessed March 2, 2013).
[4] Hume, Treatise 1.1.1, Pg. 7.
[5] Hume, Treatise 1.1.7-12, Pgs. 9-10.
[6] William Edward Morris, "David Hume", The Stanford Encyclopedia of Philosophy (Spring 2013 Edition), ed. Edward N. Zalta (ed.), http://plato.stanford.edu/archives/spr2013/entries/hume/ (accessed March 2, 2013).
[7] Hume, Treatise 1.1.1, Pg. 7.
[8] Hume, Treatise 1.1.1, Pg. 7.
[9] David Hume, An Enquiry Concerning Human Understanding, 2.5 (Oxford: Oxford University Press, 1999), Pg. 97.
[10] Hume, Treatise 1.2.2.8, Pg. 26.
[11] Hume, Treatise 1.3.7.7, Pg. 68.
[12] Hume, Enquiry, 5.1.8, Pg. 123.
[13] Hume, Treatise 1.3.2.5-6, Pgs. 53-54.
[14] Hume, Treatise 1.3.2.11, Pg. 55.
[15] Hume, Enquiry, 7.1.3, Pg. 135.
[16] Hume, Enquiry, 7.2.26-27, Pg. 144.
[17] Hume, Enquiry, 7.2.28, Pg. 144-145.
[18] Hume, Enquiry, 7.1.8-15, Pg. 136-9.
[19] Hume, Treatise 2.3.1.16, Pg. 261.
[20] Hume, Enquiry 4.2.23, Pg. 118.
[21] Hume, Enquiry, 5.1.8-5.2.10, Pg. 123-4.
[22] Hume, Treatise 1.1.1.10, Pg. 10.

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