To understand David
Hume's criticism of the idea that we can know, in a robust and
philosophical way, that there is a connection between what we call
causes and effects, we must first examine how he thought our minds
related to the world. Unlike the Rationalists that came before him,
Hume was skeptical that reason and intuition were all that we needed
for knowledge. For Hume, the first contact that we have with any
object (if it exists at all) is the appearance the object has on our
senses, so that the first thing that we are aware of is an impression
that we have.1
Humean impressions are not simply limited to our sensual perceptions
of the potential objects around us, but are also of every possible
thing that we might experience, including our own internal mental
processes, like emotion-states and first-order desires. Impressions
are not just what we see, feel, taste, etc., but how we feel, what we
want, and what motivates us. In short, impressions are the way that
we first experience everything.
From
those impressions, content is directly added into the mind and
forms
ideas
that share
the same content.
Hume thought this was a matter of common sense, anyone could see that
while reflecting upon the painful experience of touching a burning
hot object, we almost feel the same pain, but with less force than if
we were actually touching something hot.2
To Hume, the impression had a strength to it that could never be
matched by a mere idea, but impressions only differed from ideas in
strength; the content was copied directly into the idea exactly as it
was in the impression.3
Once
a series of impressions has formed a series of ideas, the imagination
tends to form perceived connections between the ideas, and those
connections can be evaluated according to any number of relationships
they bear to each other.4
The comparative work is not a function of perception, but of
imagination, and as such, it cannot involve working with impressions,
but only with ideas. Of all possible relations, Hume thought that
they fell into seven broad groups: resemblance, identity,
space and time, quantity, quality, contrariety, and
cause and effect.5
From the comparison of ideas, the imagination then sorts the ideas
in a way that allows us to make sense of the impressions we receive.