The
means with which Chauncey sets about this task is to give the reader
a glimpse into the “gay world” were modern readers might expect
to find “the gay closet”.3
The gay world was a loosely connected web of social networks, each
separable and distinct from one another,4
creating their own common folklore, unique linguistic style, and
establishing their own (long running) cultural festivals.5
In drawing the map of the “sexual topography” of NYC, he leaves
behind the familiar lines that now separate heterosexual from
homosexual, by illustrating the extent, uses, and intermixed
character of both the physical and social spaces at the time.6
In
order to offer evidence, this project necessitated the extensive use
of primary sources, but the nature of the culture being studied
offered “daunting” challenges that are not often found in more
established areas of inquiry, like an inability to get federal
funding, given the topic.7
The most extensively used sources were the archived field reports of
agents for purity/anti-vice organizations, like the Counsel of
Fourteen.8
Sometimes the investigations and court records are the only evidence
outside accounts left decades later.9
One specifically difficult issue was that most organizations were
generally disinterested in homosexuals at the time, and while agents
did document what they found, it was mostly incidental.10
Being outsiders, Chauncey used those reports to confirm other
sources, like newspapers and guidebooks, which were closer to the
culture.11
Additional sources included novels, books, films, and magazines.12
However,
these outsider views are mostly limited to confirming the existence
and visibility of the gay culture. In order to counter the
internalization myth, to get an understanding of the qualia, the
“what it's like” of a given experience, there is no substitute
for the diaries and interviews with gay men that lived through the
period. For instance, it is likely impossible to find a credible
outsider's perspective on “coming out” and learning about the gay
world, but one gay man's testimony about his experience stands as a
representative instance in the place of other records.13
Such accounts neither can, nor need to be qualified or substantiated
by arrest records, newspaper articles, or hostile field reports.
Another person's qualia, emotional reactions, and self-reflective
views are beyond external legitimation. Nonetheless, a plethora of
evidence of this type is necessary to establish a trend, and where
possible, Chauncey provided as much as he could, but many surviving
diaries rest in private collections, and available interviews often
focused outside the scope of this work.14
It is likely because the culture being studied was supposed to be
forgotten.
It
is not that the entire history of the turn of the last century was
suppressed, as Chauncey made wide use of various secondary sources,
which seemed an excellent wellspring of historical information about
the period. These secondary sources provided him details about
broader city life to contextualize homosexual behaviors, and they
included seemingly mundane things, like the general cultural
importance and purpose of parks.15
They even include several scholarly histories of the suppression of
the homosexual culture, but stopped short of discussing homosexuals
themselves because of the lingering effects of Cold War censorship.16
Overall,
this book can be characterized by Lockean “homesteading”, in a
similar fashion to the common-law property rights tradition, but
applied to scholarly works.17
Chauncey's work on this project opened up “unowned land” on the
frontier of History and established a research “chain of title”.18
The placement of this homestead is adjacent to other histories that
already have a title-record, and unlike many other historians that
seek to prove that other academics somehow “got it wrong”, he
need only borrow the products of their labors to fill in the wider,
already researched histories surrounding his “new property”.
When
explicating the homosexual culture in Harlem, Chauncey had no need to
reproduce the works that already recounted the establishment and
prevailing cultural attitudes about Harlem as a black neighborhood;
there were histories that already explored those questions.19
Instead, he need only consult the available secondary sources, and
pull out of them the details necessary to understand what bearing
they had on the gay community, like the tendency of whites to go
“slumming” in African-American clubs, where they could cast off
some of their social norms.20
That point he uses to better understand how the environment allowed
homosexuals to open a larger “space” for themselves in Harlem
than was possible in other places.21
Chauncey, George. 1994. Gay New York: Gender, Urban Culture, and the Gay Male World 1890-1940. New York: BasicBooks, HarperCollins Publishers, Inc.
Raymond, Eric. 1999. The Cathedral & the Bazaar: Musing on Linux and Open Source by an Accidental Revolutionary. Sebastopol, CA: O'Reilly Media Inc.
1 Chauncey
1994, 1.
2 Chauncey
1994, 2-6.
3 Chauncey
1994, 7.
4 Chauncey
1994, 3.
5 Chauncey
1994, 280-99.
6 Chauncey
1994, 23.
7 For
funding see Chauncey 1994, ix. Otherwise, Chauncey 1994, 365.
8 Chauncey
1994, 367.
9 Chauncey
1994, 218.
10 Chauncey
1994, 369.
11 Chauncey
1994, 176.
12 Chauncey
1994, 450.
13 Chauncey
1994, 277-8.
14 Chauncey
1994, 369-72.
15 Chauncey
1994, 180.
16 Chauncey
1994, 8-9.
17 Raymond
1999, 76.
18 Raymond
1999, 76-7.
19 Chauncey
1994, 245.
20 Chauncey
1994, 246-7.
21 Chauncey
1994, 248-9.
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